Presenting: Three Ghosts – On Sale Now!

Three Ghosts – Cover Art by Casey T. Malone

What do you do when the decisions you’ve made come back to haunt you? How do you make them right? Can you, when one wrong move will mean lives lost?

Deirdre O’Brien, an American political-activist living in Dublin, married the wrong man – and had to kill him to save the lives of thousands. Fifteen years later, he’s back from the dead, with a horrific plan to destroy the tenuous peace between Belfast, Dublin and London. To stop him, Dee will throw herself at a seedy underworld, where nothing is what it seems, and trust is a commodity too short in supply.

She only has three days – three days, and three ghosts. She will confront them, or risk becoming one herself.

The Race is On!

I first presented Three Ghosts as a serialized short story here at the blog, but as the story evolved, it was clear to some people (not me – I’m usually the last to be aware) it needed to be combined and made readily available for readers. Which means, today, I am happy to present Three Ghosts, a story born of a text message, which matured into a fast-paced political thriller where spies, paramilitary ideologues and pool-hall hustlers all vie for their chance to take on London via a heinous terrorist plot devised in the wake of the 1998 Good Friday Agreement. Even better? I’ve added brand-new content AND it is available to download FREE on Amazon today through March 20! 

changelingsebookcover-flat4And, if that weren’t enough, Changelings: Into the Mist, my young adult historical fantasy also set in Ireland, is on sale today through March 20. Download your copy from Amazon for $.99, or get your hands on the print copy for just $9.99!

Changelings: Into the Mist

Changelings. They were the descendants of Man and Fae. They walked between worlds – as healers, mystics, even kings – but no more. He thought he was the last, alone and lost, until the day he saw them.

Irish teens Maureen O’Malley and Sean McAndrew are lost in time. It was the vision of the warrior, shrouded in mist, that did it. Maureen had to follow, and now they’re stuck in 1584, on a pirate ship captained by notorious local legend, Grace O’Malley.

Careening between swordfights on the high seas and a city on the brink of a bloody uprising three centuries later, the only way home is to confront a myth, and he – Faerie king, Nuada Silver Arm – would rather the last of the Changelings remain lost to time forever.

As the shadows rise, and the king’s insidious whispers drive Maureen and Sean apart, they turn to the one man who can help them: the warrior in the mist. The only Changeling the king could not break, Dubh Súile will do all he can to protect the last of his kind, yet even he may be too late to stop the king from rekindling a centuries-old war that threatens the very fabric of time.

Celebrate Ireland’s storied history of myth-makers and rebels!

Both tales are also appropriate for the David Lynch fans out there (what can I say, my cover artist has a way with memes – and a sense of humor

Both tales are also appropriate for the David Lynch fans out there (what can I say, my cover artist has a way with memes – and a wicked sense of humor).

Treat yourself to a slice of Ireland – whether you prefer edge-of-your seat excitement in contemporary Dublin, or long for Ireland’s misty hills, haunted with thousands of years of history and lore, Three Ghosts and Changelings have something for everyone this St. Patrick’s Day.

Katie SullivanAbout the Author

Descended of pirates and revolutionaries, Katie Sullivan is a lover and student of all things Irish. Born in the States, she is a dual US/Irish citizen, and studied history and politics at University College, Dublin – although, at the time, she seriously considered switching to law, if only so she could attend lectures at the castle on campus. She lives in the American Midwest with her son, two cats and a pesky character in her head named D (but you can call him Dubh). She can be found writing with said character weekly at her blog, The D/A Dialogues.

Connect with Katie!

The D/A Dialogues | Katie Sullivan, Author Website
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Three Ghosts: A Post-Script (Spoilers!)

Whew, I never thought we’d get here – but here it is, the conclusion to the contemporary Irish thriller, Three Ghosts. Warning, just like yesterday, here be spoilers – but don’t worry – if you didn’t read along, and/or don’t like reading in serial format, the full novella – including all-new content – will be available to download on St. Patrick’s Day

Catch up: Part 1

Epilogue

Cover Art by Casey T. Malone

Cover Art by Casey T. Malone

Dee came to with a nasty goose egg on the top of her head. Emmet had been hauled off to the MI5 dungeons, Pat was arguing with an aide about being taken to the hospital, and Aiden, God rest him, had been zippered up and sent to the morgue.

“It’s going to kill his mother – first her daughter, then Aiden.” She choked back tears. It could have been worse, she knew. At least Marley had the decency to look distraught, but it wasn’t helping – in fact, the sorrow on his face was just making her madder.

“Where were you – what happened in there?”

“I was trying to get to you – it took me a while to realize the phone Pearse tossed me wasn’t for me to use, but for me to listen.”

Dee glanced at the monitors now being dismantled by agents draped in protective white suits. “The monitors.”

“Indeed,” answered Pearse, who was lying on his back on his own gurney, wincing only slightly as the ambulance crew patched him up enough for travel. “Emmet had eyes everywhere – put that bloody IT degree to good use, aye?”

“But I thought you were working for Marley—“

“Not for me, he doesn’t.” Marley snorted. His cell phone buzzed and he put up a hand asking for their patience before taking the call.

Dee watched him leave the room with a small jolt of desperation. Don’t leave me alone with my ex-husband, she wanted to say. An ex-husband who, until two hours ago, she was prepared to kill.

Pearse made restless noises in his gurney and she turned to him. “So, I guess I should thank you for not letting Emmet put a bullet in my head,” he said to his hands.

Dee gritted her teeth against the blush that spread up her neck. “Yeah, well, if anyone was going to do that, it was going to be me.”

“Cheers, love.”

Dee shrugged and stared at the blanket draped over the edge of the gurney. This was awkward.

“I’m guessing you have questions.”

A tiny laugh escaped before she could stop it. Just a few. “How did you know – about Emmet, I mean? How far back does this all go?”

“It started when you and I got together. You probably weren’t paying attention, but he was a pretty big agitator – Pat wanted him on the Shadow Council until he realized what a horrible, self-righteous prig he was. That’s why we recruited you, instead.”

“Wait, you recruited me?”

“Well, you had that trust fund – of course, I complicated things when I married you, so there’s that.”

Dee rolled her eyes. “Yeah, I suppose there’s that.”

“Emmet wasn’t too pleased you left politics behind to play with the lads – didn’t like that you chose me over him. It turned something inside him, and I noticed him watching you a few times – why do you think I kept him from you?”

Dee cocked an eyebrow and he grinned without a hint of embarrassment. “Okay I might have been jealous too, but there were rumors that he was getting involved in girls and drugs – running a racket, like. If there’s one thing the lads don’t like, it’s that sort of traffic.”

“Especially when they can’t profit from it.”

Pearse smirked. “Yeah well, there was no point in you knowing. To be fair, things progressed so far beyond Emmet and his girls that I forgot about him until after Pat got me out of Donegal. He wasn’t on anyone’s radar, but something didn’t sit right.”

“So, what – you played him?”

Pearse nodded. “I had a suspicion he’d advanced his racket. I got closer to him, let him think I was hell-bent on revenge and still blinded by Republican fervor – which wasn’t terribly hard at the time, mind – and needed a financier.”

“Which is when you realized it went deeper than girls and drugs.”

“Very clever, Ms. O’Brien,” Pearse smirked. “And, it went a lot further than just the regular players in Ireland and England. That’s when I turned – I knew he was going to use me, use the cause, which didn’t seem to mean anything to anyone anymore, all for his cronies, and I couldn’t let that happen.”

“Still fighting the good fight, Mr. Finnegan?” Marley asked as he came back into the flat.

“Someone has to – within reason, of course.”

“Of course.”

Dee looked between the two men, and over at Pat, who looked like he had reluctantly agreed to be carted off to the hospital – very reluctantly.

“Speaking of the good fight, what did happen at No. 10 – is the Prime Minister—?”

“He’s fine – the reports of those five deaths have been – how do you Americans put it? Greatly exaggerated. Looks like it was just a gas leak.”

“The London game, a fucking gas leak?” This was Pat as he was being wheeled out of the flat. “Hey there, Darlin’, glad to see you’re up and about.” He turned back to Marley “Oi, lad, we’re going to have to have a wee chat when I’m up and about – bloody gas leak.”

Marley spared Pat a look. “Look, you old hustler, it’s better this way – this way your empire remains, and so does mine.”

Dee waved Pat off – if he was truly angry about the outcome of the London Game, he was doing a good job of hiding it with cheerful bluster. Then again, Pat was, as Marley put it, an old hustler. He could make you think anything he wanted.

Pearse’s voice broke through her contemplation of Pat – or Rory Finley’s – tricks.

“So, Marley, what’s next?”

“Next, these people are going to take you to the hospital.”

“And after that?”

Marley grinned – and for the first time Dee saw just how much he loved his job. “Well, we need you to escape custody as soon as you’re able. I trust you’ll find what you need.”

Pearse saluted them with a wry smile as he was wheeled out of the flat.

As the door closed on her ex-husband, Dee turned to Marley. “So, if you didn’t know Pearse was an informer, why did you tell me your code name for him?”

“Sorry?”

“John Carol – there was an informer in Northern Ireland you lot called Agent Carol – wrote a book about it, yeah?”

“Two books, actually. I knew Pearse had been working for us–”

“But you said he wasn’t working for you.”

“And he isn’t. I’m not his handler – and he’s so deep undercover, I’m not even sure he remembers he has one. It’s one of the risks we run with informers. It doesn’t matter how long anyone has been the service – if the incentive is right, they can turn on you in a second.”

Cheerful thought. Dee grimaced and waited for the agent to answer her initial question.

He sighed.

“I told you his name to see if you knew – just testing the waters, Ms. O’Brien,” he added when she started to interrupt. “But, since you asked, Pearse picked out his own code name – from what I understand, it was a favorite Christmas movie. Speaking of which, you can stop spreading these around town.”

In Marley’s hands was a red, rectangular envelope. She took it and gingerly slid her finger along the flap.

Inside, the Mother and Child stared beatifically.

“This is the one I sent my mother. You promised—”

“Look again.”

She opened it. There was a date scrawled on the inside and an address: December 27. 9:00 AM; 18 Park St London SE1 9EQ, UK.

“And before you ask, I didn’t send the other one either. You can tell her Merry Christmas in person.”

She closed the card and tried to keep the smile off her face. “How’s that, then? It looks like I’m going to be a bit busy over the next couple of days – research, you know.”

“Easy. Your family is booked in an entire floor at the hotel. Thought it might be a nice surprise, all things considered.”

“Who did – you, or her?”

Marley grinned. “If I say me, will you invite me to dinner?”

Dee gave him her hand and let him pull her off the gurney. “You’re a glutton for punishment Agent Marley—”

“It’s Greene.”

“What?”

“That’s my real name. Jason Greene.”

“Oh. Well then, Mr. Greene. Let’s go have dinner. I’m starving.”

The End

First Fridays: Chapter Three

20141207_140911~2D: You know, A, I’ve been thinking.

A: This ought to be good . . .

D: What was that?

A: Nothing. You were saying?

D: . . . Yes, well, I was thinking perhaps we could skip this chapter.

A: What?! But D, this is a pivotal chapter.

D: Oh, there are far better chapters than this in the book. Take Chapter 19 for instance. That one was brilliant.

A: Well, thanks – but we’re going to get there eventually. Right now, we’re on Chapter 3.

D: I know, but . . .

A: We’re. On. Chapter. Three.

D: Pedant.

A: Are you pouting?

D: Maybe.

A: Don’t pout. It will give you wrinkles.

D: I’m over 1300 years old. I think I’m past wrinkles, A.

A: (Sigh) Now who’s pedantic?  Stop stalling. We’re reviewing and titbit-ing and footnoting chapter three – and you will enjoy it. Got it?

D: Yes, Master.

A: Stop lisping and pretending to have a hunched back.

D: Yes, Master.

A: (Eye roll). Anyway, If you’re new to the First Friday feature, check out Chapter 1 and Chapter 2, and don’t forget to pick up your own copy of Changelings so you can follow along!

Three

Maureen’s green eyes glowed in the half-light as she sailed out of the kitchen doorway. Sean followed, feeling slightly sick. He listened to the night, and found himself holding his breath. He was waiting for an alarm to sound – an alarm he knew in his gut would never be raised. After his earlier daring, he did not know what to say. This had been his idea, but it was her show. What happened next was all on her.

The fieldstone church was separate from the rest of the abbey, and built at the top of a hill that commanded views of the surrounding countryside. It was a short trek, and they walked in companionable silence. As they crested the hill, the newly risen moon came out from behind low clouds. Its light threw into stark relief a circle of young oaks that would, one day, tower over the little building. Their branches strained towards the sky, and the moon painted them in silver.

It was eerie and beautiful, and not quite of this world.

He shook himself and reminded himself why they were here. This was no time to allow the power of the morning’s vision to carry him away. He looked around for his friend.

She was gone.

The heavy oak door, the gateway to the church, opened with a grating sigh of wood and age. Panic seized his chest. He nearly bolted until he realized it was only Maureen, opening the door. He wondered where she had gotten the key – or if she had a key at all.

He shook his head. Some things were better left unknown.

She motioned him inside with a jerk of her chin and closed the door behind him. He waited for her to lock it again, hesitant to step foot into the nave without her. She touched his shoulder lightly as she passed him.

“What are we hoping to find in here?” he asked. His voice bounced off the stones and he winced.

* * *

D: What was Maureen hoping to find in there?

A: You know exactly what she was hoping to find. And you know that not finding it (or you, as it happens) is exactly what precipitates the rest of the story. Of course, your particular role in Maureen and Sean’s adventures is why you didn’t want to review Chapter Three. . .

D: Am I so obvious?

A: You’re a character in my head, D. Of course you’re obvious.

D: Now. There was a time when you had no idea what I was on about. Years, in fact.

A: (Sigh). Yeah. Those were the days.

Word of the Day

Schematical illustration of a plan view of a cathedral, with the coloured area showing the nave. "Langhaus" by Benutzer:Leonce49 at the German language Wikipedia. Licensed under CC BY-SA 3.0 via Wikimedia Commons

Schematical illustration of a plan view of a cathedral, with the coloured area showing the nave.
“Langhaus” by Benutzer:Leonce49 at the German language Wikipedia. Licensed under CC BY-SA 3.0 via Wikimedia Commons

Nave: The nave is the central part of a church building, intended to accommodate most of the congregation. In traditional Western churches it is rectangular, separated from the chancel (the space around the altar in the sanctuary) by a step or rail, and from adjacent aisles by pillars (ref: Wikipedia).

Technically, the nave extends from the entrance to the chancel, but I separated them slightly as the entrance is also called the vestibule, and I wanted to indicate that while Sean was inside, he was waiting for Maureen to set foot in the church proper. Plus, so many different words… it’s supper/dinner/lunch/tea all over again!

Devil’s in the Details

Readers may note that Maureen and Sean had to trek to the church, which should not have happened in a traditional abbey – those are generally self-contained structures, with everything – from kitchens, bedrooms, churches, dungeons (kidding!) – linked together. Not so at the fictional Carrickahowley Abbey, where the convent and school are at the base of the hill, while the small chapel commands the top. This was done for two reasons: 1) Sean and Maureen did not start out as orphans and the church was just a community church. Frankly, time travel is easier without parents around, so the elder O’Malleys and McAndrews had to be written out of the story, and the church was changed into the Abbey chapel – but in my head, the church was still all by itself at the top of the hill. Why?

Enter reason No. 2): there have been monuments to some sort of god on the top of that hill since man acknowledged such things – from Dubh’s hermitage to a small chapel of nuns. The lonely chapel is an homage to the mysticism of the hill. The chapel exists by itself, as though home to a power separate from any religious community – old, new, pagan or monotheistic.

Historical (Astronomical) Footnotes

"Lunar Corona" by Wing-Chi Poon - Own work. Licensed under CC BY-SA 2.5 via Wikimedia Commons.

“Lunar Corona” by Wing-Chi Poon – Own work. Licensed under CC BY-SA 2.5 via Wikimedia Commons.

In Part One, the moon – and its phases – features heavily. Not only was the moon a reliable timekeeper, in the generalized ‘Old Religion’ at use within the pages of Changelings the moon is a powerful magical gatekeeper – but only if used correctly. Dubh, being – as he says – over 1300 years-old, is well versed in the old magics. Maureen and Sean, born in 1943, are not.

Because the moon is used so specifically, I took pains to ensure I had the correct phases for the day/week/month as described in the book, which meant more than a little research to discover not only the phase of the moon, but also the sign. I finally found an online tool to help me – and once I knew that on August 31, 1958 the moon was three days past full, in Aries, I had an approximate date for when they could potentially return home (Feb 14, 1585 – when the full moon was in the opposite sign, Virgo), thus setting up the pacing and timetable for Parts One and Two.

I was very lucky that the tool I found was able to help me with the mundane timekeeping function of the moon as well. Listed on each day is a sun-and-moon rise-and-set time, which helped enormously. There were more than a few times where I would reference the moon only to realize it had not even risen in the sky yet – or, had set hours before.


Enjoying First Fridays so far? Don’t forget, if you haven’t already, grab your very own copy of Changelings, available as an ebook or paperback, from Amazon!

First Fridays: Chapter Two

Every Friday, for the rest of the year (and then some – there are actually 55 chapters in Changelings), I am presenting the first page of each sequential chapter in the book – but the real fun comes after the chapter, with behind-the-scenes goodies, historical footnotes and a bit of dialogue with a certain Druid. Enjoy it as a stand-alone treat or read along with your very own copy of Changelings. Check out Chapter One and follow along!

20141207_140911~2Two

Maureen clasped two identical boxes beneath her arms as she slipped into the boarding school common room. She shot a bright smile at Sr. Theresa, but the woman barely acknowledged it. She was sitting comfortably in the corner with a dog-eared James Stephens novel. It was a hard-won indulgence in the nun’s otherwise austere life, and Maureen knew she would be a complacent chaperone for the abbey’s only summer residents.

Sean was perched on a chair in the opposite corner, reading a comic book – another indulgence. As soon as he saw her, he leapt to his feet. Brightly coloured pages fluttered to the floor.

“There you are!”

She curtseyed. “Here I am.”

They always met in the common room on Sunday evenings, after chores were completed and supper eaten. Sean always finished first, but tonight she had not been delayed by some creative punishment. She shifted her cargo and grabbed his comic. He would be annoyed later if he’d left it there.

He squinted at her and then eyed the prize in her arms. “Oi, those are—”

“Our boxes.”

The squint turned into an arched eyebrow. “But mine was in my room.”

“And I went to the liberty of getting it for you.” She tried to sound nonchalant as she deposited said boxes on the low table in the middle of the room. It was not the first time she had collected them – she knew where to look.

“I wasn’t aware I wanted it.” He ran his hands through his short, jet-black hair and laced his fingers behind his neck. The arched eyebrow was firmly in place.

“You did. You want to help me find the man.” She stopped and clenched her hands. She had no idea what he had actually seen during mass, and she found herself not wanting to say too much. If Sean had not seen—

* * *

D: If Sean had not seen what? My brilliance? Of course he saw. He was stunned by it, overawed, and if Maureen were paying any attention to him, she would have noticed.

A: Could you not revel in spoilers, D?

D: She takes the boy for granted, A, and you know it.

A: Oh, and picking up his comic when it fell to the floor was taking him for granted?

D: Pure reflex.

A: She’s trying to protect him – and herself, D. It’s the 1950s—

D: But that’s hardly—

A: In Ireland—

D: But of course Ireland, A – it’s a land full of mystics and seers.

A: (Eye roll) Just the same, visions in church are grounds for the asylum.

D: But–!

A: Or candidacy for the priesthood for Sean–

D: Surely you’re reading far too much into this, A.

A: Or the nunnery for Maureen.

D: Oh. That would be bad.

A: Uh huh.

D: As bad as you going into the nunnery. Talk about nightmare–

A: Oi, Druid! That is quite enough of that!

D: Oh, ahem. Well, I see your point, now. Indeed – bad business those visions. Remind me to apologize.

A: I’m pretty certain there’s going to be a list of things to apologize for before we’re done.

D: And now who is reveling in spoilers? Hm? Don’t you have historical footnotes and other flotsam with which to delight and entertain?

A: (Eye roll) Indeed, I do, D. Indeed I do.

Word of the Day

Supper: Often used now interchangeably with dinner, in Ireland and the UK, supper was/is often described as a light repast later in the evening (i.e.: slice of buttered bread and water at 10 pm). Dinner is the midday meal, and was often much heavier, especially on Sundays. Of course, to complicate things, in Ireland ‘supper’ was sometimes used interchangeably with ‘tea,’ especially if that light meal, eaten at 6 pm, had some added accoutrements…sigh.

Regardless, I found ‘supper’ sounded more Irish to my Midwestern American ears, and while I could have used ‘tea,’ many American readers may not have known that tea is a meal as well as a beverage akin to the lifeblood of most Irish men and women.

Devil’s in the Details

James Stephens (1880-1950) was an Irish novelist and poet. Sr. Theresa’s ‘dog-eared’ novel in question is In the Land of Youth, a direct reference to Tír na nÓg. Despite being a Benedictine nun, Sr. Theresa is a believer in – and lover of – faerie stories (or, the Good Folk, as she calls them) and often shared that love with Maureen and Sean.

James Stephens also wrote Insurrection in Dublin, in reference to the 1916 Rising, as well as numerous other retellings of Irish fairy tales. While researching just who Sr. Theresa should be reading, stumbling upon James Stephens’ name was kismet. Given his writings, and given Sr. Theresa’s stubborn refusal to give up this one ‘indulgence,’ may indicate Sr. Theresa has a greater roll to play in the lives of the Changelings.

But of course, you’ll have to wait until Book Two, The Coming Storm to find out.

Bonus: Maureen’s punishments often include peeling potatoes in the kitchen, polishing the silver or, if she’s been really bold, embroidery.

Historical Footnotes

Kylemore Abbey, Connemara Ireland | Photo Courtesy: WikiCommons

Kylemore Abbey in Connemara, Ireland*

‘…The abbey’s only summer residents.’ Carrickahowley Abbey is not an orphanage; rather it is a boarding school for international and local students. Just as the Abbey itself is based off  Burrishoole Friary, the school is based (very) loosely off Kylmore Abbey, an international boarding school and local school for girls in Connemara, Ireland.

The main difference between Carrickahowley and most other church-run boarding schools is that it is co-ed. One could argue that there were two different schools housed on the grounds but in my vision of the school, that is not the case (and in case you’re wondering, Carrickahowley

Glenstal Abbey School* - This is Carrickahowley, only a lot bigger!

Glenstal Abbey School* – This is Carrickahowley, only a lot bigger!

looks more like a squat version of Glenstal Abbey School than it does Kylmore – especially since they were built around the same time). However, proprieties have been observed and Carrickahowley has separate dormitories – even if Maureen insists on stealing into the boy’s dormitory to fetch Sean’s orphan box.

 

*Photos courtesy WikiCommons


Enjoying First Fridays so far? Don’t forget, if you haven’t already – grab your very own copy of Changelings, available as an ebook or paperback, from Amazon!

 

Three Ghosts: Part One

While the Christmas decorations were put away this weekend (sniff), one small tidbit of Christmas remains: a short story serial I started, with the help of a text message, a good month before Christmas. Theater productions and plague stood between me and sharing it with the world, which in retrospect, was a good thing. That said, it’s written now, and for the next 4 Mondays, it is my pleasure to present the mystery/thriller short story, Three Ghosts.

Because the content does relate to recent and potentially-touchy political arguments, I’ll remind readers this is a work of fiction. Names, characters, places and incidents are the products of my imagination, or are used fictitiously. Any resemblance to actual persons, living or dead, is entirely coincidental.

Enjoy.

Three Ghosts: Marley

card“’The first Christmas card was sent in 1843, the same year A Christmas Carol was published,’ she says, trying not to let the baleful stare of her own unwritten cards haunt her.”

“Your tense is wrong.”

Dee – Deirdre O’Brien to those who hadn’t been her friend for twenty years – stopped gesturing with her eyebrows at the teetering tower of Christmas card boxes. She had not sent one to anyone on her list in at least three years, but that never stopped her from buying a new box or two every year. They always looked so pretty. It nearly broke her heart to pack them away with the rest of her things.

“It’s not about the tense, Cat – it’s about the grand Charles Dickens’ Christmas Conspiracy.”

Catherine Evans’ grey eyes just stared at her over the tops of her old-fashioned wire-rims. “Is this really your excuse this year?”

Leave it to Cat to bring sense to the nonsensical.

“I didn’t say that.”

A slow eyebrow arched above the glasses and Dee wondered how long her best friend could hold onto the schoolmarm look before one of them broke down into giggles.

“His story lamented greed and miserliness,” Dee insisted as she looked for the wrinkling around Cat’s eyes, which almost always preceded a smile. “Yet here we are, one hundred and eighty years later, celebrating a simple holiday for three months, munching popcorn while Kermit the Frog clings to Captain Picard–”

“And I’m pretty sure your cards can’t stare.”

“I’m not so sure,” Dee mused, fiddling with the lock of black hair that had escaped her pony tail. “See? The Christmas Fairy is looking a little feisty.”

“The Christmas fairy is looking a little tarty. Were you really planning on sending those to your mother?”

“Oh no – she gets these.

Dee plucked a battered, half-empty box covered with an assortment of beatific mothers, sighing angels and cherubic infants. That she sent one of these cards every year while the others collected dust was an irony that had not escaped her.

“And just in case you were wondering, Deirdre O’Brien, your Dickens’ Christmas Conspiracy is about as logical as your need to buy Christmas cards you’re not going to send.”

“Yeah, but it entertained you for a second – besides, I might this year.”

Cat snorted. “Not bloody likely. Explain to me again why you’re moving across the globe three days before your most favorite holiday in all of ever?”

“Because seeing London all lit up for the holidays is probably the best Christmas gift in all of ever? Besides – didn’t I offer to spring for you and Henry to join me?”

“Dee.”

“I know, I know, your soon-to-be mother-In-law would have kittens.”

“It’s not just that – it’s just . . . well, you moving to London—”

“It’s temporary.”

“Right, I know – but it wasn’t too long ago that you were cursing the name of every person in Parliament—”

“Yeah, well, everyone in the UK does that, Cat.” Dee shrugged and ignored the skepticism in her friend’s eyes, and the flush creeping up her own neck. “Things change – the war is over. Besides, Doctor Who makes friends of us all – and now I get to watch it for free!”

Cat’s lips twitched. Dee almost had her, and damned if she wasn’t going to get Cat to smile. It was important – ridiculous, yes, but also important. If she could get Cat to smile instead of scold, then perhaps the next three days would be . . . .

She shook her head. Never mind the next three days.

She let a sly grin shade her features as she abandoned the table strewn with the detritus of her life and stepped into the loft’s tiny kitchen. “Besides, you know I’ll be back for the wedding. Planning from afar is what I do – your bachelorette party is going to be spectacular. I’ve already hired the stripper.”

“Dee!”

There – that did it. The twitch broke into a full-fledged – albeit shocked – smile and Dee answered it with one of her own. “Leave the cards and the packing, Cat, and have a glass of wine.”

“Just one – I have to drive, and you really have to pack. You won’t get anything done after two.”

Dee bit her lip to stop it trembling. “Yeah, just one. Come on.”

* * *

“Well done, Ms. O’Brien.”

Dee put her stack of books down with a sigh. “Pardon me?”

“The little performance with Ms. Evans. I think you convinced her quite nicely.”

She rolled her eyes. It had not been a performance, and even if it had been, she would not have been able to convince Cat of anything. Dee wasn’t the terrible liar she claimed, but Cat saw through her little deceptions all the time. Of course, the suit didn’t need to know that.

“How do you figure?”

“It’s my job to know people, Ms. O’Brien.” The suit – a one Agent Marley – looked smug.

“You’ve tapped her phone then, I take it?”

Of course he did, she scolded herself. And it was her fault. She had made Cat – made every one of her family and friends – fair game just as she had made herself fair game over fifteen years ago. That they knew nothing – well, almost nothing – did not matter. Not to Agent Marley, and not to the people who talked in that little earpiece of his.

“Tapped?” Marley looked up from the pile of Christmas cards he had been restacking on the table. Her fingers itched to slap his hands away. “How very old fashioned of you, Ms. O’Brien. No, all we have to do is sort of listen in on the digital airwaves everyone makes so readily available. Tapped is what we did to you twenty years ago.”

“Got it – so, I was right all those times I teased Cat that you lot were listening in because we could hear the clicking?” She fought to keep her face bland under his raised eyebrow. She really did want to know, but she was not going to give Marley the benefit of her obvious curiosity.

“Indeed. You should be glad we keep tabs on these sorts of things. It’s what is going to keep you alive over there.”

“You really are a bundle of joy tonight, Mr. Bourne.” Damn. That had been a throw-away answer for a throw-away asset.

“That’s not—“

Dee rolled her eyes as Marley stopped himself from walking into her bad joke. Because his first name was Jason, and because he bore a faint resemblance to a certain actor, the name had stuck in her head – even though she was not certain Agent Jason Marley knew the right end of the gun from the wrong.

“Ms. Evans was right, you know.”

“About?”

“The cards. You won’t be able to send them.”

“I might—”

“No – sending them could alert the wrong people.” He swept the cards in question into the waiting box. Besides the last pile of books she’d unearthed from under the bed, the cards were the last to go, but they wouldn’t be joining her in London. Nothing but what she managed to stuff in her carry-on was coming with her. Everything – right down to that stack of three-year-old Christmas cards – would be put into storage for if – no, when – she got back.

The show of packing had been just that – a show for Cat.

She stopped Marley from putting the lid on the last box and reached for two cards that had fallen loose.

“I have to send one.” She scribbled a quick note into one sporting an iridescent Mother and Child and signed her name with a flourish.

“I can’t allow—“

Her head snapped up and her cheeks flushed with sudden anger. “Damn what you can’t allow. I’m throwing myself at an organization you and your overseas friends insisted was dead – the least you can do is let me send a card to my mother.”

“Is that so? And who helped with that little subterfuge, Ms. O’Brien?”

“Little? You call faking Pearse Finnegan’s death little? Face it, you fell for it, and now I’m helping you fix it.”

It was an old argument, but she liked having it. They both knew her ‘fixing it’ had happened all too easily.

It had started two months ago, when research had brought her back to Europe after a nearly fifteen-year absence. The whole trip had been a gamble. Once, she had barely been able to escape Dublin, and there was no way she should have been allowed into Heathrow – at least, not without a lot of extra scrutiny.

Yet, the lads had been inactive for so long – hell, she’d been out of the game for so long – it was easy to pretend all the focus really was in the Middle East.

But then she’d seen her husband in London.

Her head of the War Council, supposedly dead husband.

Pearse hated London.

According to those in the know, the London Game was going to be the one that finally tipped the scales for unification and independence. Of course, that plan had been laid out before the Good Friday Agreement had brokered a fragile truce between the British Army, the Loyalists and the Provisionals – and before the Dail gave up its right to the six counties, otherwise known as Northern Ireland.

The war was over – had been over for fifteen years – and Irish unification was a distant dream or moldy memory, depending on who one asked.

And yet, if Pearce was in London, now, after all this time, then it meant he had found a way around the Agreement – or thought he had.

She’d snapped a quick, blurry-but-recognizable picture but ignored the itchy feeling along her scalp and shoulders when getting that hasty digital artistry to the appropriate people had been even easier than flying into London. There was no way Pearce’s miraculous recovery from death was a surprise to the security services, and apparently, neither was her hand in the proceedings.

Agent Marley refused to squirm under her glare. “And we are most grateful to your change of heart, Ms. O’Brien, believe me.”

He gave a slight bow and Dee allowed herself a small smile. Not for the first time she suspected Agent Marley’s blandness – and general bafflement at what he had once called her unruliness – was an act. Sure, he was an ass, and it terrified her to think she was his first field assignment – but there was also a twitch at the corner of his lips that spoke volumes for his overall intelligence – or at least, her preference for faintly dangerous men. In another life – but no, that was just it. That other life was not hers anymore. She had this one. The one she had chosen.

She shook her head. Nope. She was not going to think about it. It was done and here she was, making . . . amends. She gave Agent Marley a half-hearted shrug before flicking the signed card at him.

As he fumbled with the babe born in a manger, she slipped the Christmas Fairy into her bag.

“Send it to my mother,” she ordered. “If you don’t, she’ll know something is wrong.”

Agent Marley paused and searched her face. What he was looking for – and what he found – was a mystery, but after a few deafening heartbeats, he saluted her with the Christmas card.

“All right. It will go out tonight. We will begin routing your calls after takeoff. In the flurry of moving, you forgot to activate the international band on your phone.”

“That’s not going to keep anyone for long. They’ll start to worry.”

“Perhaps, but you don’t have very long. Our intel indicates he’ll strike Christmas Day, Ms. O’Brien.”

Agent Marley turned on his heel and headed towards the door. His footsteps echoed in the empty loft.

That’s right. Three days. That was all she had left.

Three days and three ghosts.

. . . to be continued . . .

Part 2 | Part 3

 

A Year of Fridays

Ah, January – every year you inspire me to get organized, lose a pound or two (or ten), rededicate myself to writing every day, and lately, actually make a plan for the blog. And, usually by March, some of that inspiration manages to slip into a sort of inglorious oblivion.

Wisconsin winters, wine, potato chips not to mention a few sugar plums, turtles and Wassail make keeping to a diet so not easy.

Wisconsin winters, wine, potato chips not to mention a few sugar plums, turtles and Wassail make keeping to a diet difficult indeed.

Now, the writing thing almost always succeeds, and while I can’t speak to why my diet fails every year (oh wait, yes I can: ridiculously long Wisconsin winters, wine, and potato chips), my lack of inspiration for the blog comes from a confusion of what I want it to do. Up until November of 2014, I had nothing to offer beyond the dubious wit of one druid hanging out in my head (and the dubious sanity of one writer). I am my greatest fan, so obviously, I think I’m hysterical, but now there is this book baby waving valiantly at the world. It’s here, it’s real and it’s beautiful. . . and it’s given me something to write about, regularly (I swear, angels are singing. And no, it’s not just because it’s still Christmas in my house).

Thus, each Friday, for the next fifty-six weeks, I’ll present the first page of each chapter and/or an epically awesome page from Changelings: Into the Mist, complete with historical footnotes, tidbits, and dialogues with a certain Druid. If you want to grab a copy and read along – even discuss your interpretation of my background notes in the comments – well, by all means, you can pick up a copy on Amazon (or, if you live in southeastern Wisconsin & parts of Illinois, you might be lucky enough to have it at your local library – squee!).

And so, without further ado, the first page of the first chapter of Changelings: Into the Mist.

One

My little stash - plus, an awesome poster!

My little stash – plus, an awesome poster!

I sat in the grove of my own creation and stared out at a world and a people descended of mine own. As I watched, trees gave way to stone and the Many lost their claim to the priests of the One.

Then the wheel turned. The sacred trees grew around my effigy of stone and the Many came out of hiding. I sat in my grove and watched a world outside my imagination, willing it to see.

She saw. She saw me with uncanny green eyes – the green eyes of my mother and her mother before her: witch’s eyes.

Joy rose in me. It was time – time to join the world after years of solitude, time to act after centuries of stillness.

I closed my eyes and reached across the barrier, to touch my future and my past.

†  †  †

Maureen O’Malley’s eyes snapped open. The grove of ancient trees with their twisted branches disappeared.

Daydreaming. She took a shaky breath. It had just been a daydream.

Slowly – too slowly – her senses acknowledged the church, the hard pew beneath her, and the drone of Father’s voice as he said the Epistle.

She was not stranded on a hilltop mired by mist. There was no stand of oaks, and their gnarled branches were not creaking and groaning in the breeze.

There was no breeze, and the curls that had escaped her veil were not brushing her cheek – no, they were plastered against it. The late August heat, trapped amid the dusty black skirts of the nuns surrounding her, pressed in on her and stole her breath.

She gave her head a slight shake, as if the movement would free her from the grip of that dream world.

* * *

D: So is this where you tell us that Maureen’s inattention at mass – her daydreaming which is about to lead her to a glorious vision of yours truly – is just a re-imagining of your own ‘vision’ that eventually gave birth to the book, right?

A: Actually—

D: Of course, since you had that daydream in church when you were merely 14, it means that for a full five years, you had this story – this first book – without my brilliance.

A: Sure, but D –

D: No wonder you put it away.

A: D!

D: What?

A: You are insufferable.

D: (Preens) I thought that was why you liked me.

A: I think you’re mistaking like for loath.

D: No, no I’m pretty sure you like me.

A: Depends on the day, Druid.

D: And is today that day?

A: Don’t push it.

As long-time readers of this blog know, there was a book a few years before D came on the scene. Historically sketchy, it had only a scant reference to Irish gods and mythology, and nothing to do with a time-travelling Druid. That started to change when I was bequeathed a new character who existed within the tale, but had a hard time fitting in with the story as it was. Fifteen years later. . .

D: I’m brilliant, and the story isn’t too bad either.

A: (Sigh) You are brilliant (a brilliant pain in the head). When first we “met,” I wrote the first few lines of this chapter, which are italicized above. Those alone kept me going through ten years of writer’s block, because I knew if I could write the story etched within those scant 140 words, I would have the story to which you belonged. Fifteen years later . . .

D: I’d say you did it.

A: Cheers, D.

Word/Phrase of the Day

The Many vs The One: The Many refers to the pantheon of Celtic gods vs. the coming of the One, the Christos or Christ. In my research, I got the feeling that there was little argument between the Druids and the priests, particularly priests of the early Celtic Catholic Church (that concept alone is a whole other book, or four – in fact, it’s Book 3 and 4), but as Catholicism incorporated and supplanted the native beliefs, much knowledge and lore, I feel, was lost. It is this the Druid laments.

Devil’s in the Details

Nothing – not a single word – has changed in the opening 140 words of this chapter since it was written fifteen years ago. The same is true for the opening sequence of Changelings 3, which was written (and will be re-written next year) 13 years ago, while I played at being a stay-at-home mom with Tom.

Historical footnotes

Carrickahowley Castle, photo via WikiCommons, uploaded May 2007 by Brholden

Carrickahowley Castle; Photo via WikiCommons, uploaded May 2007 by Brholden

The year is 1958 and the place is Carrickahowley Abbey, located just outside Carrickahowley (now Rockfleet), Ireland. The place exists but the Abbey does not, although it was based – very loosely and rather after-the-fact – on the Burrishoole Friary, run by Dominical friars. The Friary, a historical monument, was operated well into the eighteenth century, despite the dissolution of religious orders following the English Reformation. It was abandoned in 1793. That said, boarding schools and orphanages similar to Carrickahowley Abby were established between 1880 and 1950.

It’s also worth noting that Maureen grudgingly wears a veil and thinks Father is pretty boring during the Epistle. Before the reforms of the Catholic Vatican II, women wore veils over their hair and masses were said largely in Latin. Unless Maureen was a very good, attentive student of languages – which she is not, we will find out later – Father’s voice as he said the Epistle would have indeed droned on for her.

Moments to Remember: D's Character Origins

Part Two in the D/A Dialogues Origin Story – in response to the WordPress Weekly Challenge: Reflections.

Whenever I think of D's origins, I see these two images.

Whenever I think of D’s origins, I see these two images.

A: What is a character’s true origin story? Is it their personal history, or is it the story of how they came to reside in an author’s imagination?

D: Both.

A: Okay, which one would you prefer to tell?

D: I think, actually, it would be a better if we told the people how I came to live in your head, first. It started with that bookshelf you so lovingly carted across the sea.

A: Indeed it did. Take it away, D.

D: What A didn’t tell you was that she continued to write while she lived in Ireland. When she left university, and became a pub’s writer and web designer-in-residence, she dug out that dusty old manuscript and started editing it again. She even showed it to someone to read. He’s the one that introduced her to me. He’s A’s ex-husband, and he lives back across that sea. The Boy and I are all that remains of his time in our lives.

That was the first moment to define my life as a character – that introduction. A knew I belonged to the story.  I can’t tell you much about that time in his head. I was a different man. I was angry – more warrior than mystic. I was proud, yes, and skilled, but young.

A: You were also blonde.

D: I was?

A: Yeah. I read my original notes. Blonde warrior. Blue eyes. Tattoos. You were cold and cruel, too – with a massive chip on your shoulder. No wonder I didn’t like you.

D: Which brings me to the second moment that defined me as a character: being ‘gifted’ to a writer who may have appreciated me (for all her whinging, she did appreciate me, otherwise I would never have gotten anywhere near her precious manuscript), but did not understand me. To make matters worse, despite not particularly liking me, she stuck me in the book without really trying to find out how I fit. Yes, it was my story but there were certain things . . . missing.

Much of Changelings is not about the youth I had been – I had already been tempered by war and heartache by the time I step out onto the stage. As much as Changelings is an adventure story – a romp through time, as it were – it’s also about living with past mistakes, and creating a future worth living.

As A’s notes indicate, the me she met originally was not suited for that tale. She had to find out who I really was, and as life got in her way, she did not have much incentive to do so.

When she discovered the religious and political strife of seventh century England and Scotland – when she re-discovered many of the myths that were echoed in her work – she started to find me. Not only that, she wanted to find me. It was quiet, that desire, but it was there.

The final moment of my origin came relatively recently. I had existed rather quietly, I think, in A’s head for all those years. She never talks about the first-person narrative book she wrote – my book. It may not have gone past 100 pages, but she did write it. I won’t say she failed – she just wasn’t ready yet.

Then I started bugging her friends to make her start writing again—

A: True story – had a friend call me up and tell me she was dreaming about D, and perhaps I should start writing again? That was 4 years ago. I’m stubborn.

D: So am I. My persistence was rewarded, and though she didn’t write anything of note until last year, bugging her friends resulted in a redraft of the book outline. She revisited what she had written in my book and brought those elements into the story. I finally had a place – a real place.

Of course, A is still learning – we’ve hit a roadblock on some of the timelines for the sequel, but we’re working on it. We can do that now – thanks in part, to this blog. It’s ever so helpful to be able to snark at her in public. Cathartic too. Plus, she has the support of other writers. Without you, she’d be a hermit. And I don’t think a hermit would be as willing to get my life out onto the page.

Could you imagine this guy as a blonde?  (D as imagined by Green Embers)

Could you imagine this guy as a blonde?
(D as imagined by Green Embers)

A: Well, gee, D. That was pretty complimentary. Kind, almost.

D: I know. I’m not such a bad Druid after all, am I?

A: I suppose not.

D: In fact, I think I’m pretty spectacular.

A: I was going to say, just don’t let it go to your head, but I can see it’s already too late for that.

D: Go to my head? Whatever do you mean, woman?

A: Exactly – watch it, or I’ll make you blonde again.

D: You wouldn’t dare!

A: And I think that wraps up the origin story of a character–

D: A, we are not done here – promise me you won’t make me blonde!

A: Stay tuned for tomorrow’s exploration of D’s origin as a man. Have a great day–

D: A! Are you listening to me?

A: And thanks for reading!

D: A!!!

Part 1: A’s Writerly Origins | Part 1.5: Bookish Origins | Part 2: D’s Character Origins | Part 3: The Druid himself – an origin narrative

Moments to Remember: A bookish addendum

life

The books – some of them, at least

A: Before D gets going on his origin story –

D: Of course you would interrupt my glory.

A: I’m not interrupting. This is an addendum to yesterday’s origin story post.

D: Oh, sure.

A: Oi, Druid – you get 2/3 of this 3-part origin story! Besides, I think the germ of you may be among the books I decided I could not live without.

D: Yeah, well, just don’t take too long. Can you do that, A? Can you strive for brevity?

A:  . . . (sigh).

Okay, so Melissa Janda asked yesterday which 30 books I absolutely had to bring to Ireland. Since I took a picture of those books (don’t ask. I love books. I just. . . don’t ask), I was able to recreate some of the list. Frankly, I think there were more than 30, but these are what I could (sort of) see in the picture and recall from what was stashed in my room.

In no particular order:

    1. “I’d just as soon kiss a Wookie” Quotable Star Wars
    2. The Jesus Incident
    3. The Lazarus Effect
    4. The Ascension Factor
    5. Absalom, Absalom
    6. The Russian Revolution
    7. The History of Ireland
    8. The History of Costume & Fashion
    9. The Wonderful Wizard of Oz
    10. Gone with the Wind
    11. Mists of Avalon
    12. The Last of the Savages
    13. The Prince, Machiavelli
    14. The Gratitude of Kings
    15. Unnatural Exposure
    16. The Stranger
    17. Heart of Darkness
    18. King Lear
    19. Ireland, A Graphic History
    20. The Folklore of Ireland
    21. Medicine Man, Shaman (Something – too small to read)
    22. Anne of Green Gables
    23. Emily of New Moon
    24. Scarlett
    25. The Witching Hour
    26. Lasher
    27. Taltos
    28. The Feast of All Saints
    29. Cry to Heaven
    30. The Barbarian Conversion

Not all of these books were read, mind. I had been given The Barbarian Conversion: From Paganism to Christianity as a graduation gift, and it sat on that shelf, looking pretty, for a few years.

Eventually, it became my bible – and inspiration when I was writing about the lives of a clan of Picts and the convergence of religious and political strife. I never knew about the Celtic monastic resistance to Rome (Oh, that’s why St. Patrick was sent back to Ireland? To bring the de-centralized monasteries to heel – those same monasteries that had maintained Christianity and the shreds of civilization while various invasions swept across England and mainland Europe? Huh.)

D: Nice rant, A. I could have told you that.

A: I think you did – someone whispered it in my ear and said “This – this is the world I came from. Write me.”

D: Which we will delve deeper into when A lets me write my origin story.

A: Indeed – enjoy your day, folks, and thanks for reading!

Part 1: A’s Writerly Origins | Part 1.5: Bookish Origins | Part 2: D’s Character Origins | Part 3: The Druid himself – an origin narrative

Moments to Remember: An Origin Story in Three Parts

life

Photos from the top: Some of those precious 30 books I carted to Ireland, me on the phone in Ireland (some things never change) and that cute kid I call, The Boy (11 years ago)! And behind it all, a printed beta-reader copy of Changelings.

The Daily Post had a prompt up yesterday that tied in beautifully with their weekly writing challenge: Reflections. What follows are the moments that define me. These moments are a part of the origin story of how I became a writer – or rather, the writer I am today. The writerly me of tomorrow may have a different tale to tell entirely.

The pre-history of me includes being the youngest of six by 15 years – essentially an only child – growing up on quite a few acres on the shores of Lake Michigan. I was late to reading and writing, but I always had an active imagination.

D: Active?! Ha! You thought you were Dorothy from the Wizard of Oz, and your best friends were the characters from Star Wars.

A: Yes, yes and I wanted to be Indiana Jones when I grew up . . . Hush, D. You’ll get your turn.

Anyway, I moved to Ireland when I was 18. Technically, it was to attend the University College, Dublin, but as I think I have mentioned to my parents in the years since, I had a cover story should that university thing fall through. I had letterhead and everything. I was going. No matter what.

I was a writer and had something resembling a web presence then, too. I had queried a few agents and publishers on a draft that shares three characters with Changelings. Theoretically, it’s the same story, but all that’s left of the original is Maureen, Sean and Grace O’Malley.

I had a few nibbles but nothing big and as I prepared to move myself, my 30 I can’t-live-without-them-Dad-please-pack-them-in-a-box-and-fly-them-out-with-me books 4,000 miles east, I completely forgot about the letter from the then-Penguin Group publishing house, asking for the MS.

Because I’m an idiot.

Or not. That was before D entered the story. That was before the story took real myths and turned them on their head. That was before it was ready to actually be read.

Ireland was an adventure. It was eye-opening, exhilarating, terrifying and life-altering. At one point, I refused to leave and let my ticket home languish in a drawer. So much of the life I’m living now started in Dublin. I was almost married there, and my son was thisclose to being born there, too.

Which brings me to the second thing that has defined my life as a writer: Motherhood.

I went back to writing after my son was born. During naps and semi-early bedtimes, I wrote what is now D’s back-story. Five hundred pages-worth of back-story. It was once a book, but no longer. One day I may revisit it, but I don’t have the same urge to tell that story.

Besides, I’m not entirely sure there is a whole lot of interest in the convergence of the centralized Roman vs. monastic Celtic vs. pagan religious traditions in a small clan of Picts, overshadowed by looming war with the Kingdom of Northumbria.

Have I ever mentioned that I was a history major? I like to research. It’s fun.

In the middle of child-rearing, and after that mammoth book was done, I stopped. I put it aside. Yes, writing in a way still defined me, and I loved to read and research, but having that yearning without the discipline to put it to practice, without the discipline to do something to improve my writing meant it was always going to be a pipe dream.

Until I sat down and decided it wasn’t. It was the third moment to define writerly me. I’ve talked about my journey back to writing before. It’s why this blog exists. Essentially, it boiled down to this: the threads of the story that is Changelings began when I was 14. I’ve had Sean and Maureen rattling around in my head for 20 years. That’s all of my fingers and all of my toes. It was time to give them a book worthy of their loyalty. When D joined them, they found an advocate. An annoying, egotistical, bull-headed advocate.

D: Oi, woman! Surely, I get to combat that last?

A: Of course you do – tomorrow. (And don’t call me Shirley.)

D: Tomorrow?! (Oh for heaven’s sake, A. That joke is so old.)

A: (Tee hee!) Yes – that’s why it’s an origin story in three parts. Tomorrow you’re going to tell us the three moments that have defined your life as a man.

D: And what’s the third part?

A: You sound like you don’t trust me, D.

D: I don’t. What’s the third part, A?

A: I want you to look at yourself as the character in my head. I talk about you as a character, and you talk about you in the story, but you never really quite manage to talk about you as a character. I want to know how you coped all those years, being in a book that didn’t want you – having an author that didn’t quite like you.

D: You talk about it as though it were the past, A.

A: It is, D. I think we’ve come to an understanding –

D: HA! I knew it! You like me.

A: Well, yes –

D: No, don’t deny it, A. You like me!

A: Who’s denying?

D: You weren’t denying?

A: No. I was going to say I’ve actually had some fun blogging with you – some good insights, too. I can go back to describing you as annoying and bombastic, if it will make your diatribe worth something.

D: Um. I might have you do that, A. I’m not entirely sure what to do if I’m not contradicting you.

A: (Eye  roll). Me neither, D. Me neither.

D: So, is that it? You’re just going to set this up to lead into tomorrow’s post?

A: Uh, yeah. I mean, I have a few things: Charles Yallowtiz’ new Legends of Windemere book, Family of the Tri-Rune is doing great, Helena accepted a Liebster Award and nominated us (and I accept your challenging questions, darling!), and the Green Embers’ Recommends editor spotlight on the lovely mistress of Readful Things Blog, Ionia, is live.

D: That’s it?!

A: I know, I know – I haven’t had time to trawl the interwebs for interesting and amusing fodder for our dialogue, so this is it. Tomorrow, perhaps?

D: Tomorrow it is, then.

A: Thank you all for reading – have a fantastic day!

Part 1: A’s Writerly Origins | Part 1.5: Bookish Origins | Part 2: D’s Character Origins | Part 3: The Druid himself – an origin narrative

Shenanigans

Photo courtesy Google Images, labeled for commercial reuse

Photo courtesy Google Images, labeled for commercial reuse

“So, this Zoroastrian, Jennifer Aniston and a Leprechaun walk into a bar – stop me if you’ve heard this, babe.”

Bored chatter on the other end of the cell phone told him that ‘babe’ – aka Jonathan L.F. Morgan, head of Le Fay, Morgan and Sons – had heard the joke before.

“Johnny, Johnny – kid, baby, come on! It’s great! They’re going to love it.”

More chatter. Morty ignored it.

“But Johnny – kid –“

A hissed intake of breath met this last. Jonathan L.F. Morgan hadn’t been a kid for nigh-on eighty years, if his wrinkled mug was anything to go by, but Morty liked to give him the benefit of the doubt – you know, make him feel younger with the lingo. It didn’t work.

“Johnny? You there?”

Dead air. Morty snarled at the blinking ‘call ended’ on his cell phone.

“Call ended – I’ll show you call ended!” He chucked the phone at the couch.

It missed and skittered along the floor, smashing into the slate corner of the sunken fire pit his last wife had thought would look “so fetching” in their split-level family room.

Last wife – what was she, six? Seven? Whatever. He didn’t know why he kept putting a ring on their fingers. Peggy hadn’t even lasted long enough to see the damn fire pit put in – but she had spent what was left of his last gig hiring the guy to do it. Morty thought for sure she would make off with the meaty hunk of good ol’ boy, but it turned out she had eyes for that good ol’ boy’s wife.

Rodger ended up putting in the slate edging free of charge. Nice fella’ – the two of them met for drinks every other Friday.

Morty leaned down to pick up the phone. Peeking out from between eyelids squeezed tight, he scoped the damage.

Cracked.

No, not cracked. Shattered.

Damnit.

He tossed it on the couch. It made it this time, but its bounce amid the cushions was less than satisfactory.

With a disgusted grunt, Morty turned to the unwieldy bowl Rodger had given him at their last meet-up.

“It’s a cauldron,” Roger had insisted. “It’s got powers.”

“What’re those?” Morty had jerked his thumb at the numerous dents and dings on the silver beast’s surface. “Bludgeoning powers?”

“No, you fool – it’s got real powers. The guy who sold it to me said no one can leave it but be satisfied. You should use it –“

“Hey, I ain’t had no problems satisfying anyone. . . Peggy notwithstanding.”

Roger had laughed. “Yeah, I thought the same with Sue. I’m not talking about women, Mort. I mean your career – you should use it to stage your comeback.”

Morty had been trying to stage a comeback for nearly 10 years. For some reason, his brand of stand-up had gone flat. Fads came and went and yet his “Johnny, baby, kid” never seemed to boomerang the way the others did. Maybe Rodger was on to something. It was worth a go.

So he’d clutched that damn cauldron in his sweaty little hand, called up Jonathan L.F. Morgan and given it his best shot. And what had been his reward?

Nothing. Nothing but the shards of another wrecked phone and dead air.

“Satisfied my Aunt Fanny – what the hell are you good for, anyway?”

Morty was about to reach for his bag of marshmallows – it was the only damn thing that fire pit was good for – when the phone began making a half-hearted attempt to ring. Morty caught it before it launched itself at the glass and chrome ‘post-modern’ masterpiece of a coffee table his second wife had insisted they buy.

“Yeah?”

It was Le Fay Morgan and Son’s competitor.

“You did? Really? Wait – you bug his phones?”

Must be the way they snatch talent.

“How soon can I – are you serious Mr. Pen—yeah, sure, I’ll call you Arthur.”

Arthur wouldn’t let him get a word in edgewise, and that was just fine with Morty. He’d start at the man’s latest and hippest nightclub, Myriad, on Friday night. He even wrangled the best seats in the house for his very best friend, Rodger. It was the least he could do.

As he turned placed the phone gently on wife #2’s coffee table, he failed to notice the cauldron glowing. From within was the faintest hint of laughter.

“It’s the leprechaun” whispered a tiny voice, just beyond the range of hearing. “It gets them every time!”

For Papi Z’s prompt “Jennifer Aniston and a Leprechaun walk into a bar.” 

* * *

D: You are twisted, A.

A: What do you mean?

D: I just heard The Boy, A. He’s calling this the Godspell of Pre-Christian Celts . . . . without, you know, the music.

A: Yeah. And?

D: You’re just weird, that’s all.

A: Thank you, D. I consider that a rousing endorsement. But personally, instead of castigating me, I think we should throw our efforts behind some congratulations.

D: Anything to avoid the Druid’s opinion, is that it?

A: Right on the money, babe! So, without further ado. . .

Yesterday

D: First we want to offer a belated but well-meant congratulations to Charles Yallowitz for the release of his fourth Windemere book: Family of the Tri-Rune, which is on sale now!

A: Congratulations, Charles! Also happening “yesterday” – Veronica Mars Fans rejoiced with the release of the Veronica Mars movie. Loukeshan at Green Embers Recommends has a review!

Today

D: Speaking of Green Embers Recommends, today is the weekly ‘read-of-the-week’ roundup for Editor Ionia, from Readful Things.

A: Today is also a lovely day for a walk – and Andra, author of To Live Forever, An Afterlife Journey of Merriweather Lewis, is walking the Natchez Trace to promote her book’s release. Yesterday she reached the halfway-mark, and today . . . well today was a gas, to say the least!

Tomorrow

D: Briana Vedsted, author of my very favorite western, Me and Billy the Kid, has a new novella coming out TOMORROW!

A: That’s right, folks, The Home Fire will be released on March 20. Check out this sneak peek at Briana’s site.

D: And finally, check out the latest installments of the Bayou Bonhomme serial written by Helena Hann-Basquiat’s dark-hearted counterpart, alter ego and possible muse, Jessica B. Bell.

A: But be warned, if you have no idea what the Bayou is, you must click here. It will bring you all the way back to the beginning.

D: Why is this in “tomorrow” when all the other ongoing promotions are in “today?”

A: Because with Helena’s story, there is – at this point – always a tomorrow. Until, of course, there isn’t.

D: And because you wanted balance for your categories.

A: Yeah, well, I like symmetry.

D: Well, since I began the dialogue, symmetrically speaking, I should end it.

A: Indeed.

D: (Takes a bow) And so good people, we bid you adieu. Thank you ever so much for joining us this evening. We hope you have enjoyed the show. And as a final treat, I leave you with this, A’s very favorite Irish song, which she failed to share on St. Patrick’s Day. Goodnight!